|Many Algerians consider the haïk to be just as much a symbol of the nation as its physical monuments.|
That was my conclusion after the latest outing, one sunny Saturday in late March, by the "Belaredj" collective, the cultural group behind the haïk events I tagged along for twice last year. (To learn more, see "Celebrating the Haïk, and Debating an Algerian Icon" and "The Haïk: A Symbol of Algeria's Revolution".)
The unique allure of the haik—the traditional women's dress of Algeria, now rare on the streets of Algiers—was in full evidence at this spring's outing, organized as always by Belaredj's founder, local performance artist Souad Douibi. Souad's other recent events (which she bills as "performances" rather than mere cultural festivals) had garnered increasing attention, as photographers—myself included—inundated Algerian social media with modern images of this classic symbol. In a country so fixated on its history, such images hold particular power, and motivated more than a few photographers to attend this spring's event.